Index

Bringing to life the ethos of Ehua’s latest release on Nervous Horizon, “Aquamarine” is the multidisciplinary visual project directed by Matteo Zamagni accompanying the opening track of the homonymous EP inspired by the colour and motion of water.

Carrying out a study of the movement of corals, algae and jellyfish and of the different physical limitations these organisms experience with movement director Viola Bruni, Ehua transmutes into a mythological hybrid creature who exists and explores the surrounding environment through movement in a metaphorical, zero gravity limbo between immobility and complete freedom.

The sculpture-like costume — hand sewn by Ehua, designed and handcrafted from liquid latex with Zamagni — is the protagonist of the video: a coral reef of imaginary biological organisms which grows and lives in symbiosis with Ehua’s body as it moves harnessing the ocean currents.

A surreal journey into the life of imaginary codependent ecosystems, the video is the result of Zamagni and Ehua’s joint creative efforts from dancing, to costume design, handcrafting, filmmaking and 3D art.

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2022

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2022

Lagunas

Laura Colmenares Guerra

#3Dart

#Adaptation

#Anthropocene

#dystopia

#installation

2022

Lagunas is a fictional & interactive installation, a triptych between memory, death, and water. Prehistoric landscapes are the scenario for the chronicles of a drowning man, disclosing the rarity of water on Planet Earth.

Lagunas is dark, still, and somber. Silent landscapes, dying fish, the water of a thick dark lake, seaweed and mud cover the depths. Below the surface, a man drowns. From the abyss, archaic rocks are attracted by magnetic forces. Drilling machines emerge, turning between the cliffs, intercepting the stones in levitation and destroying the rocks, which fall back into the water. The abandoned body of the man, receives the impacts of the stones, wakes up, strives to save his life, and loses consciousness…

The drilling machines embody the hydraulic fracturing techniques used to extract fossils fuels from the shale rock of the Earth. The water contamination process consequence of the hydraulic rupture is visualized from close-up animations to larger-scale images where the fracking fluid travels through the pipelines reaching the groundwater. High-pressure impulsions cause the nearby shale rock to crack, creating fissures where fuels flow into the surface of the Earth, while rests of toxic fluids contaminate the water of the subsoil of the Earth.

Three water valves are used in Lagunas as interactive devices. When the water valves are rotated, image and sound are activated. Further than interacting with image and sound events, the level/amount of interaction of the participants is continuously analyzed. An interactive scenario adapts to the behavior of the spectators, allowing variations and deviations on the fictional order. The water tabs are used all along the experience as triggers & controllers for the interactive scenario of the installation.

The lakes and mountain landscapes have been shoot in Colombia, in the “Chingaza Natural National Park”, a natural reserve located in the Eastern Cordillera of the Andes, in the northeast of Bogotá. The underwater images were filmed in a lake in the Netherlands, using a high-speed cinema camera (Phantom-Flex) and shoot at 300fps. The landscapes & underwater images are composited with 3D (CGI) generated images.

Description from the artist’s website: Lagunas | Laura Colmenares Guerra (ulara.org)

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