Index

At first glance, River Code (“cho-deh”) in Yogyakarta, Indonesia is a surreal landscape colonized by plastic, with its citizens believing their water is clean enough for daily use. While the root of the problem is complex and multi-faceted (income level, pollution as colonialism, and lack of government infrastructure) it can ultimately be addressed at the social-cultural level, requiring empathy to live and cope in toxic conditions. In this trilogy of works, the artist reflects on the polluted landscape of the river and the local citizens who live densely and intimately in its watery embrace. While water is the medium that connects us all, it is also the primary carrier of the industrial molecules, simultaneously queering both the river and the bodies of its inhabitants. Can the marginalized people of River Code care for the health of the river as if it were their own bodies? Can mutation and shape-shifting be acknowledged as legitimate strategies for survival?

The installation includes a rotating mandala projection comprised on trash found in the river, symbolizing the constant recombination of plastic particles inside our own bodies. The installation also includes a bamboo sculpture of River Code filled with blue agar that invites microbial contamination juxtaposed against contained samples of bioremediating fungi. Next, the river is flanked by a set of two latex sculptures embodying the porosity of skin as it is embedded with trash from the river. And lastly, the installation plays a child’s recording of the story “Bagaimana Dunia Berhenti Bergerak” or “How the World Stopped Moving,” a story about the river who speaks to a little girl and tells her it is hurting because it cannot digest all the plastic, so it must return it all to humanity.

Created for the Yogyakarta International Contemporary Visual Arts Festival ARTJOG: Arts in Common curated by Agung Hujatnikajennong and Ignatia Nilu. Photos courtesy of ARTJOG MMXIX at Jogja national Museum

Description from the artist’s website: Milik Bersama Rekombinan – Mary Maggic Official

“Meandering River” is an audiovisual installation comprised of real-time visuals generated by an algorithm and music composed by an A.I. This digital artwork makes change perceivable by creating a unique awareness of time. Spanning over multiple screens, the piece reinterprets the shifting behaviours of rivers by visualizing and sonifying their impact on the surface of the earth.

The audiovisual installation creates a bird’s eye view of a landscape. This orientation conceptualizes a new human perspective on space and time, in an attempt to decipher the unpredictable patterns. By experiencing it from an influential perspective, the real-time visuals demonstrate what is happening on a larger scale.

Based on a bespoke algorithm, the rippling and oscillating movement inherent in the generated imagery, provides a vantage point that transforms an understanding of progress, to examine the rhythm of natural forces. As the evolving patterns of “Meandering River” emerge, the viewer is left with a humbling sense of the unpredictability of change and the beauty of nature.

Over decades, flowing river structures shift as water erodes the ground, forms a riverbed, and carries soil deposits with it to other locations. The effect of depositing and eroding the landscape changes colour formations depending on the shade and quality of the ground.

By investigating academic and scientific research that examine this natural phenomenon, different algorithms were developed to authentically simulate the unpredictable movements of rivers and reinterpret their organic structures, rhythmic fluctuations and visual materiality.

During the visual research and development process, a bespoke rendering pipeline was created, allowing an iterative visual exploration and composition. Various shaders and algorithms were applied in real-time as graphical layers to simulate natural appearances such as hydraulic and thermal erosion, oxbow lakes and meander scars. Additional post-processing passes like surface materiality, vegetation and lighting enabled the final landscape compositions to reach the visual granularity and quality intended for the work.

Description from the artist’s website: onformative — Meandering River

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